Earlier this year, during my residency at Timespan, I picked up a publication surrounding Corin Sworn’s Unsettling Provenance work. Interests fit into specific timelines sometimes. I’ve read this book previously, but it only resonated this week.
While in Helmsdale, Sworn organised Breakfast events.
This involved an invitation for members of the community to attend Timespan, bringing their own bowl, to dine together. Sworn had previously been involved in excavation activity in the area and was fascinated by the fragments of culinary objects uncovered. In Unsettling Provenance the artist photographs the towns people’s bowls as if they are archaeological finds. By placing the objects against black backdrops and giving them such attention of the lens, Sworn creates a ‘white cube situation’. She creates a context in which these objects can be perceived as valuable historical artefacts by the viewer.
They might well deserve this. A bowl is still a commonly used object and there’s obviously interest to be found in this concept, as well as the aged pieces. Cultural narrative is identified in the everyday and not only in what we deem a ‘relic’. When does an object become an artefact, then? And, what about the bowl?